Cynthia Dobrinski's arrangement of the St. Theodulph tune maintains excitement and energy from beginning to end with big chords and a sprinkling of shakes, martellatos, ring touches, swings, thumb damps, martellato lifts, and an echo, as well as a malleted section. Ringers will enjoy the fact that the full range is utilized well for both 2 and 3 octave choirs and that bell changes are minimal.